The July issue of Greg''s Guitars" Vintage guitar news and views.".. Vintage Guitar News and Views The June Edition.. The May edition of Vintage Guitar News and Views by gregs guitars.. April edition of Vintage Guitar News and Views by Greg''s Vintage Guitars..
Ah, the
1960’s…the rise of surf music, the loss of 1950’s rock icons and across the Big
Pond an interest in and resurgence of American blues music will soon give rise
to the British Invasion and some of our future guitar legends.
The guitar
manufacturers were also undergoing some changes themselves and as research and
development plodded forward, These changes were reflected in the guitars
themselves.Over at Fender, Leo and the
gang brought us the Telecaster, and although not its replacement, but by Leo’s
standards an improvement in design, he then brought us the Stratocaster in the
early 1960’s.The pre-CBS Stratocasters (1959
to 1964)underwent some significant changes within its own design.Essentially, the Stratocaster was still the
same guitar as always, with some (as enthusiasts contend) cosmetic changes,
some of which were esthetically pleasing, minute at the time, but all
eventually changed the 50’s ‘Strat.Some
say it changed for the better, some argue it changed for the worse, but we will
let that dog chase its tail on its own.
So what were some
of the changes?Well, first to come to
mind was the fretboard – Fender went from a maple fretboard to a rosewood fretboard
,with the maple as an option, the Rosewood which throughout the 1960’s got progressively
thinner, and in late 1962 even had a bottom radius to match the arch of the neck’s top
radius.The black fret position markers
were also changed to clay dot markers on the fretboard face.Also, the trussrod which was placed through
the backside of the neck, and gave us the skunk stripe inlay was placed via under
of the rosewood fretboard, thus eliminating the skunk stripe itself and doing
away with the pegheads plug inlay.As a
result, I am probably correct to assume that it also facilitated speed in
production and less articulation on the builder’s part – remember, Leo was a
“bottom line” kind of guy.But being
cost conscious why go from an 8 screw to an 11 screw pickguard cover that was now
introduced ? ( obviously for better
coupling) and Fender replaced the thinner one-ply pickguard with a
triple-laminated (the mint green coloration, according to Fender, was a
mistake) and often a shielded one. Yes Leo was known to shave a dollar here and
spend a dime there all the while listening to his field of test players in the
trenches, the raves and the complaints were all a grand part in Leo’s quest for
perfecting his “girl” the Stratocaster.
The 3 color “bursts”
were phased in over the standard 2 color s( although some 3 color one do appear
as early as the later half of 1958) Some of the production models in the
earlier 60’s had a strange combo of older and newer parts (again Leo saving a
dime) until all the old inventory was used up and production was ramping up.
Also we see on dealers charts of the day an array of colors appearing and
disappearing, choices such as Lake Placid Blue , Sonic Blue, Sherwood Green ,
Foam Green, Shoreline Gold Metalic , Olympic White , Surf Green ,Burgandy mist , Black,Blonde , and The
Sunburst were some of the custom color choices as a customer you would have
had. Interestingly enough Shell Pink was one that was discontinued and Candy
Apple Red was introduced.
Because of undercoat“primer” changes from silver to gold in 1965
/ 1965 we can also see a wide array of coloration discrepancies all within the
same known colors ofa particular
guitar.(especially withinthe reds)At times due to a lack of guitar for a
customers color order, a desert sand or sunburst that didn’t quite take well
was over sprayed the custom color , again to save inventory and probably speed
thing up a notch ,we willnever really
know. So by 1964 Leo and the gang was kicking out some mighty fine guitars, progress
was being made, expansion was constant and changes were taking place.Then another turn in the house of cards was
to take place. In 1965 the sale of Fender to CBS, making what some argue the
most highly desirable (PRE CBS) and prized guitars in the market as we know it
today. But , That is just another piece to the puzzle and another story for
another day and as always this is just my opinion her atVintage Guitar News and Views, all brought to
you courtesy of Greg at www.Gregsguitars.net. So may all your days be fair all your friends stay true and
all your riffs be killer, Thanks and I will see ya next month .Greg.
Well, I get a
lot of questions from new collectors as well as avid collectors lookin
to add new pieces to their stable regarding "what is a desried piece?"
That can be a tough one ,especially since it is imparative to address
each collector on an individual basis. I can say the "vintage" market
is pretty stable is the solid buys , pre CBS Fenders and McCarty era
Gibsons,(expensive to say the least though) But what about guitars that
have in the last few years hit the market? Lets address just a few
guitars in my opinion that would qualify as decent aqusitions. First
the "Johnson" released Strats were not as big a movers as some would
have liked , but I still think one in white would be desirable . The
"relic" market in my opinion has hit its apex with the best of the best
being the "Cunetto relics" and in my opinion these are the ones I would
aquire. I wasn't impressed with "art guitars" so I wouldn't pay the
price these guitars commanded. The "new" 1966 strat reissue? Hmmm, it
does have the correct peghead and transitional logo, as well as proper
"nitro " finish, If you can find one in "Firemist Gold" with a maple
fretboard I personally would get one( Maple fretboards just do it for
me). A lot of guitars suddenly were "Mary Kays" wrong, The "Mary Kay"
tribute was a limited release with thin translucent finish and all gold
hardware, and not every "Blonde " was a "Mary Kay" . I like the
"tribute Limited released ones ". Now on to the underrated or
overlooked released guitars. The "Trower" artist release is a good bet
in my book, I mean "Long Misty Days", "Bridge of Sighs" , come on, this
man keeps on rockin and is probably one of the most overlooked
guitarist of our generation. I prefer the "Midnight Wine " colored one
. This is just a few of the recent releases from one manufacturer and
this list could go on and on, But these are the ones I like and as
always " It's just my opinion" so may all your days be fair and all
your riffs be killer" until next month ,Thanks for stopping by. Greg @
Gregsguitars.net
April edition of Vintage Guitar News and Views by Greg's Vintage Guitars Technorati ProfileWell the old adage that "everything old is new again "can certainly be said regarding the guitar market.
How this relates to popular trends is evident in the resurrection of
N.O.S and reissue guitars that have flooded the market. Not that
reissue guitars are anything new mind you,Fender reissued 60's styled
guitars as early as the mid 80's with reasonable success. But the surge
has hit an all time high mainly due (I believe anyway) to the fact that
a lot of working,gigging and weekend warriors are afraid to take their
prized vintage gear out on the road. Even though the guitarist arsenal
hasn't changed ,the way one perceives his or her equipment certainly
has. So,many musicians (working ones anyways)are turning to "reissues"
or "relic" guitars as a viable alternative to risking damage or loss to
their vintage gear while on the road or performing. So what constitutes
a good deal on one of these types of guitars ? Well like everything
,you have to shop around and be willing to invest some time visiting
dealer web sites such as www.gregsguitars.net or others and looking
over the attributes of certain models within your defined budget. Forum
rooms are another good source to gather insight to other players'
ratings, likes and dislikes on certain models. Then you have to decide,
"How much do I want to pay?" Is the certificate ,case candy and other
non players attributes worth the extra cash that some dealers charge
for such items? Is it something you want to increase the guitars
resale value? Well... The certificate and case candy do add some value
for you at resale some point down the line,but as a player first ,they
really do not make the guitar sound better or play better now do they?
But they should be considered if your sole purpose is to collect
guitars and not play them.The extra cost(s) should be factored into
your final evaluation of any deal regardless ,but as a player whether
they (the certificates)are there or not should not be a deal breaker
by any means. So my best advice that I can give you? Look for guitars
that are early custom shop,or custom shop built before the paper rage
took hold and the cookie cutters came out. A custom run of a
particular guitar ,custom colors,or a reissue that had only a certain
number of guitars built and are numbered to reflect that (like a
Cunetto diamond dealer relic Stratocaster that was limited
in it's run)or even better ,if your lucky enough to run down that old
guitar that still retains all the original parts but has at some point
been "refinned" (shudder, shudder) these guitars are still somewhat
affordable and have that "old tone wood" that we all desire.But hey, like always this is just my opinion. Greg at Greg's guitars.
gregs guitars on "Making that guitar purchase" Well lets
see,grim econmic forcasts,auto plants cut shifts,interest rates on
t-bills plunge,the housing sector is in trouble,and the executives at 3
large corporations get between 12 an 21.7 million dollar bonus packages.Man
talk about skewed news,and all we want is that sweet little tele we saw
last week.Where's the justice? So how can you make your guitar purchase
pay off (hopefully) in the future?Well as stated in my other articles
,the price for vintage gear has also dropped ,So if you happen to have
some obscene amount of extra cash laying around ,go out and pick up
that 62 Strat you have always wanted.As for the rest of us poor working
stiffs unless I hit the lottery that is just a pipe dream for now.So I
have to do a little homework when it comes to selecting my next (yes
next) guitar to purchase and you can do the same.Question; I want a
guitar that sounds good,plays well,is as original as possible,suits my
playing style and dosn't cost a fortune,hmmm.Well I am narrowing down
my options a little here and at the same time widining my choices.This
is where the homework starts. I usally go to books about specific
companies and brands of guitars ,then narrow my field from there.I look
for when certain manufactures made changes to their lines,It could be
something as easy as a tuner change,knobs,or something more factory
involved ,such as changing body styles or new neck design,or just a new
type of pickup or tail piece.It could be a new release of a new line or
the last year of a specific design.It's not quick or easy but it is in
my opinion fun and interesting none the least.This homework will slowly
narrow your search as daunting as it may seem.So for this articles sake
I have made my choice,I'll take that tele in the window...Tele's were
slab bodied for the first years they were produced and at some point a
little contour was given,This is the one I am after ,the year the
contouring showed up,and of course I want a "custom" color ,so I pick
Dakota red,yea and with a maple capped neck..mmmmmmWhether she is out
there or not,well thats a whole 'nother article.Till next time Keep
your days close and your riffs killer. Greg at www.http://Gregs guitars.net
To
cut right to the chase,this article will help explain what you can do
and what you should not do to your vintage guitar in order to keep it
at its maximum value.Never drill any hole for any reason in any part of
the guitar,or create an extra routing to facilitate the replacement or
addition to any piece on the guitar,period! You have a vintage guitar
or any guitar for that matter,this article will cover Stratocaster
style or type guitars,others will be addressed in future articles.So
you got a guitar ,you want to change a few things huh,hmmmm well first
of all lets start at the top,the peghead or headstock, if you will.You
can change cheap or vintage tuning keys with ease as long as you
remember rule # 1 drill no holes.chose the replacement keys that match
exactly in mounting and size,easy if you take your time.You can change
necks if your vintage piece has substantial wear or you want to
preserve it,or it is not comfortable as you would like.Remember mount
the new neck exactly as old one came off,no new or enlarged holes,if
its a 3 bolt neck ,get a 3 bolt replacement neck .Same goes for a 4
bolt,no new holes! Easy enough huh?Now on to the body.do not spot paint
refinish,restore in any way shape or form the original paint or nitros
finish no matter what.Now if you need to replace a faulty or under
performing switch,or channel selector or even a pickup or 2 or 3, My
advice is replace the entire scratchplate assembly with all the
components already in place .Why you ask? Well any broken or replaced
solder or solder joint is always suspect as to non original to the
guitar in question ,especially vintage guitars and will effect the
value tremendously at a time of resale.Doing this only calls into
question the solder joint at the input jack ,which is easier to
understand and explain to a future buyer of your guitar.Now as for
brides or bridge saddles these are easy fixes to replace,First remember
no new holes! All mounting should either be exact period correct pieces
or n.o.s. pieces,If you prefer the newer style(s) as long as the
mounting is exactly as the old one(s) that's o.k. .Take the old off and
replce with the new.For bridge saddles just do the same.A word of
caution and to help you here, always place the old pieces in a baggie
or draw string pouch along with a card stating ,when,why and what you
did to the guitar for your ease in undoing any modifications is always
a good idea,always leave this in the case pocket of the guitar case so
you always know where it is .It would also be a great idea to add a
card with the guitars known history(who knows you may become famous
)The date purchased ,original owner(s),and to whom and when you ever
sell the guitar to,and encourage the next owner to keep the card up to
date as time goes by and the guitar changes ownership(s).This is a
great way to establish a history with the guitar and in somwe ways will
actually make the piece more desirable and maybe more valuable,Who
wouldn't want to know a complete history of a vintage guitar?.I hope
this is helpful to you and remember rule number 1 above all else ,no
mods that can not be returned to original specs as easily as possible
is the best thing you can ever do for your vintage guitar.Included is a
link to my web site for further enjoyment,Thanks from Greg at www.
Gregsguitars.net. <"htpp://www.gregsguitars.net" >vintage
guitars.
Buyer beware
Check out all the information on the web and any other resource you can
on serial numbers pot codes and dating information on any "vintage
guitar" you decide to purchase.and if the seller will not allow you to
take the guitar apart or take it apart for you to authenticate it
then somethings probably not quite right . Decline the purchase.http://www.gregsguitars.net
What's your thoughts?
Well, here I am again at the keyboard again while waiting on a
customers call so we can go over a guitar and I was thinking.....I
can't see as to how todays made guitars will be collectable anytime
soon;I mean this relic bandwagon has ran its gammit ,ever since The big
co. quit using V.Cunetto that is.So his reliced guitars will be
collectable,hmmm maybe the super strats,the early 85 reissues ,those
funky push button Elites,early custom shop stuff and brazilian boarded
guitars.But the run of the mill guitars cranked out everyday? nah,I
just dont see it ,well that is not for 50 plus years anyways.And the
reissue bandwagon ,well come on who's fooling who here?So for guy and
gals that dig guitars and are trying to snatch a few collectible
guitars in our lifetime to turn back into the economy in
10.20.30.years.....Welllllll see the above and visit my website! thats
right look at what I invest my money in and that may help you define
your search a little or at least help you to explore the
possibilities.I firmly believe that the vintage acoustic market has
played second long enough ,lots of great guitars with Brazilian
rosewood on 'em and I feel they are way under valued,Don't believe me?
Wait and see.Those 70 model gibsons and the great Grammer guitars
....bam they will hit ,I feel people are tired of the way prices are
right now on electrics that everyone has,so think outside the box,go
for the obscure ,the funky as long as it is built well and plays well
,a solid guitar that is vintage could be less than you expect.Well
enough ramblin from ol Greg,till next time may all your days be sunny
and all your riffs be killer.....www.gregsguitars.net
Upcoming Guitar Shows The following shows in your area. March 2008 3/9/08 at Wisconsin's Howard Johnson plaza,Green bay. 3/18 Ohio's Richfield Quality Inn. 3/29 The Netherlands DeVeenendall. April 20084/11-12-13th at Newport Miami beach Convention center and the Dallas Guitar show April 18-19-20th at the Dallas Market Hall.info courtesy of http://www.gregsguitars.net